1

All prices for digital recording include a CD or CDs that contain a WAV (or other) file of the final recording, together with any working files (Cakewalk or other format), any special notes, and postage and handling.

2

The price for engraving and transcription work does not include quantity printing or binding of a manuscript into a book or manual. Price for work of this nature will be quoted separately on request. A single printed copy will be made available on request, or where clients do not have an email address. Copies of final and working files will be burnt to CD on request.

3

The PDF file will be prepared as if for professional printing (600 to 1200 dpi). If you require higher resolution, you must specify this at the time of placing your order.

4

Currently, Australian residents are not required to pay GST, however, this is subject to change without notice (GST does not apply to international customers).

5

Audio Graffiti will not be held liable for jobs that are delayed due to factors beyond its control.

6

Standard payment terms: payment of a non-refundable deposit (typically 30-50%, minimum $50AU) when you confirm your order, then the balance payable on completion—and before release—of the first draft.

7

Audio Graffiti will endeavour to produce a final version within three rounds of drafts. That is, we will provide drafts up to three times for each job, each time seeking your comment and feedback. Clients are responsible for reporting all errors, inconsistencies and flaws to Audio Graffiti during this draft phase. Audio Graffiti takes considerable effort to achieve a high standard for its clients. However, unreasonable requests to repeatedly revise projects beyond the three drafts will incur additional fees.

8

All prices are subject to change without notice (prices provided by way of a formal quote will not be altered).

9

The Client warrants that it has copyright in, or a licence to authorise reproduction of, all music ("Works") supplied by it to Audio Graffiti for the purposes of its orders. The Client authorises Audio Graffiti to reproduce all and any of the Works for such purposes.

10

The Client additionally licenses Audio Graffiti to use portions of the Works in its own promotional materials to depict the quality or range of its goods or services.

11

The Client indemnifies and will keep Audio Graffiti indemnified against any liability, loss or expense suffered by Audio Graffiti as a direct or indirect result of any use of the Works by Audio Graffiti pursuant to clauses 9 or 10.

12

Should you fail to pay your invoice for services rendered, and as a result, the matter of repayment is passed to a solicitor or collection agency, all commissions, solicitor's fees and any out-of-pocket expenses will be borne by you.

13

Whilst all care is taken by Audio Graffiti in checking the final draft of your Work, Audio Graffiti accepts no responsibility for errors found after you have proofed and signed-off on that final draft.

14

The cost of fixing errors as described in clause 13 will be borne by you.

15

In relation to MIDI sequencing, final aural "colour" will vary depending on the type and quality of sound card or synthesizer module you have, and also on the patches or sound fonts selected by you. Audio Graffiti will not be held responsible if your preferred sound selections are less than satisfactory, or do not match the MP3 "draft" version.

16

All terms and conditions are subject to change without notice.

17

These terms and conditions were current as at 1 February 2007.